• 14 Posts
  • 77 Comments
Joined 1 year ago
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Cake day: June 13th, 2023

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  • Okay, a bunch of thoughts come to mind.

    I love Diablo. However, I think a big part of it is the atmosphere and also me being young and never having seen anything like it. That’s pretty hard to recreate. I heard the game Halls of Torment nailed the Diablo atmosphere, but as a Vampire Survivors-like. Basically it’s focused on the grind and progression. Maybe, that’s something for you? Personally, I haven’t found anything that is as fun as Diablo, so every now and then I play Diablo 1 with a new mod, like the new The Hell 3 Mod. It brings back the wonder of the unknown, because there is lots of new stuff in there. I also loved Book of Demons, which is basically a streamlined version of Diablo 1 with a dark comedic twist.

    I think you underestimate the satisfaction that comes from clearing levels in Diablo. Yes, it could be a different theme and still work, but isn’t that proof of how potent it is? So the question is, why does it feel like a grind to you? I wager it’s because the magic Diablo had for you got lost over time. You know how they work now, you’ve seen behind the curtain and thus don’t feel the danger, the intrigue like you used to. Maybe you will find it in games like Elden Ring that you don’t see through right away?

    About the stats progression: I think a very big part of the fun of progressing your character comes from doing it the way you want. It’s a form of expression. You want to be a Necromancer that only uses Golems or a Mage focused on ice. I think what a lot of Diablo-likes miss is finding a good way to allow lots of expression in character development. Too often I feel boxed in by the class and it doesn’t feel like it’s my Tinkerer, but the Tinkerer instead. A good Diablo-like has abilities that define the character instead of just simple stat increases and cooldown reductions and all that.

    Lastly, if you haven’t seen it there is a great Diablo 4 Critique on YouTube that might give some more food for thought!




  • Yeah, I can see our difference in how we defined what’s shoe-horned in. And I get that you’re not saying diversity in media is bad. However, respectfully, I don’t think your definition of shoe-horned makes a lot of sense if you think it through. Is the music shoe-horned in, because it’s not critical to the plot? You said yourself that adding information that isn’t critical to the plot is necessary or the movie will be bland. If it’s necessary to the movie, wouldn’t you agree that it is critical? It may not be for the plot, but it is for the movie. Movies aren’t just plot. A lot of great movies (Nomadland, Patterson, Dazed and Confused, Coffee and Cigarettes, The Straight Story, …) don’t have a lot of plot or tell a great story. Instead they focus on the characters and the mood.

    I think your example with the “blond, blue eyed, straight white men” betrays your perspective. This isn’t describing the default human being. Most people on earth aren’t like that. But it is the de facto default in western media. Why is it that? Because for a long time it was white men who made the decisions. Now that it has become a norm, everything that deviates needs a justification. And that’s kinda fucked up, isn’t it?

    So, I think the question isn’t, why don’t “normal” character traits get the same hate as “alternate” traits? The question is, who defines what is normal?


  • That’s kind of a weird argument. I always took “shoe-horned” to imply that it is pressed into something by force where it doesn’t quite fit. So, in my mind just because something is intentional doesn’t mean it is shoe-horned.

    Creative works always come from the authors lived experiences. The reason why we often find representation of minorities missing in media, is because these minorities don’t get to work on them. If there would be more diverse teams working on something we would naturally see more of their diverse experiences represented.

    However, for this to be the case a lot would have to change in our society. It is way easier to just keep things more or less as they were and let people without minority experiences write and add minority characters. These, in turn, feel off, feel shoe-horned in, because they aren’t based off of lived experiences. They are just there to check a box.

    Conversely, the reason why it feels like we used to have better (though less) diverse representations in media is because these actually came from people who had these experiences.


  • Klar, ich erwarte jetzt nicht, dass die schmilzt sobald man heißes Wasser reinfüllt. Aber nachdem immer wieder Studien rauskommen, dass sich aus verschiedenen Plastiksorten dann doch Stoffe über Zeit rauslösen, wenn sie warm werden, hab ich da einfach kein Vertrauen mehr, auch wenn es angeblich sicher sein soll. Aber das darf gern jeder für sich entscheiden.








  • I think there is enough precedence to come to the belief that remakes are bad in and of itself. Big movie companies do like to put their money in already established or at least known franchises or names. This leads to them forcing a movie they think should make money rather than letting the creatives follow their passion, which may or may not lead to better movies. And then there is also the typical knee-jerk online reaction in play here. People like to be dismissive and jaded about things. I think it’s partly because we have a lot of reasons to be jaded, but it’s also because it’s easy and it makes you feel smarter. I believe in most cases people aren’t actually informed enough to form a real opinion, they just like to shit on things online to make themselves feel better.

    In my late teens and early twenties I had a phase where I basically disliked every new movie. I thought old movies where perfect and new movies where all just cash grabs with the exception of indie movies. After a bit of growing and working in a creative industry myself, I now know that this is bullshit. There are lots of reasons why movies turn out bad, but in most cases the people working on them are trying their best and genuinely want to make something great. With that in mind I’ve become much more open and appreciative. It’s so easy to shit on things online. It is very, very hard to make a movie, even a bad one.

    Sure, sometimes the movie turns out bad and yes the chances of a reboot, remake, sequel or prequel to be bad is higher. But it might also turn out to be a great movie in it’s own right! To be honest lots of old movies did not age well and could use a remake. If you don’t like it, the original movie is still there for you to watch instead.





  • No idea, but one of the most recent (negative) reviews says:

    you may wonder how its possible to make something more pay to win, non-functional, scummy and devoid of anything resembling fun than war thunder but gaijin manages to make lightning strike twice. if you are somehow able to take one look at the 2nd-to-none worst ui in gaming with less readability than mobile games, and continue to press the play button. you will be met with the most uninteresting cluster♥♥♥♥ of tanks and planes raping the handful of players and their army of bots.

    lets also not forget the initial steam launch of this game, which was met with overwhelmingly negative reviews, was taken down because you couldnt get this free game on steam without also paying for a dlc(which by its nature is non refundable). Now the game has been re-listed under a different name specifically so that negative reviews and associated community news/discussions are lost to time and not carried over onto this page.

    But I mean, it’s free to try if you have time to spare…