flux

joined 1 year ago
[–] flux@lemmy.world 7 points 20 hours ago

For some of us. Yes the game is incredible. The detail to menus, maps, management and playing control is very very good. Now I won't try and change any minds. The game is very "slow" and isolating but it's an entirely different mood than most games. It's like the film 2001. It can be a slow methodical well crafted movie but maybe not as exciting as say Star Wars. Kojima games always seem to take 10-20+ hours to "get momentum" but I've always enjoyed them.

[–] flux@lemmy.world 3 points 20 hours ago

Yah I think you are right. More articles that suggest Kojima just had a 5 year deal with Sony. I could see them negotiating IP rights if sales aren't met or something else. Just glad they own it. Must feel good. "On November 9, 2024, the five-year anniversary of the game's launch on PlayStation 4, Kojima Productions announced that they had re-acquired the intellectual property (IP) rights to Death Stranding from Sony Interactive Entertainment, and that they had planned to bring the game to additional platforms, coinciding with the immediate launch of Director's Cut on the Microsoft Store for Windows, Xbox Series X/S consoles, and the Amazon Luna cloud gaming service."

[–] flux@lemmy.world 13 points 22 hours ago (2 children)

This article is so confusing. Pretty sure Kojima productions always owned the game/ip. Sony was first to publish then 505 for PC versions. I very much doubt they handed any IP over to Sony or 505 games except to publish on platforms most likely they had a clause they couldn't do anything with the IP to interfere with the publisher sales like a movie, etc. The contract for 505/Sony to death standing most likely expired and now Kojima has other options for what to do with the series. This might be splitting hairs but I think it important to point out Kojima is not going to give any creative IPs away ever again to shitty companies that want to bastardize his ideas.

[–] flux@lemmy.world 3 points 2 days ago (1 children)

Sure but I think it is less immediate. In music we have to make a decision if they are speaking about themselves nonfiction or fiction and in a book or movie we assume they are creating fictional character.

[–] flux@lemmy.world 9 points 2 days ago (4 children)

I think it's really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn't make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman's rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman's - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it's sung in first person and should never be played in a public setting. Oingo Bongo's - Little Girs was always a bit creepy now seems to age poorly the more time has gone on. Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.

[–] flux@lemmy.world 1 points 3 weeks ago

"Death to mainstream cinema! Power to the people who punish bad cinema!" - Cecil B. Demented

[–] flux@lemmy.world 1 points 3 weeks ago

Thanks for your comment. I feel like I'm on a island when I say the first was the only good one. Sure two had a few moments but the series is straight laughable. I was such a fan of the first one because of the fact the bullets ran out. I kept saying, "Why hasn't anyone made a movie like die hard where people get tired and every bullet is counted? The protagonist picks up the guns of the villains, etc." It's still over the top but it was really nice to see something like that and then they completely took everything I liked and reversed it. Long coreographed fight scenes bulletproof suits, cringe dialogue, traveling to different locations because it would "look cool" if there are mirrors, neon lights and smoke. I don't get the love.

[–] flux@lemmy.world 1 points 3 weeks ago

So a bunch of AI animation movies based on popular franchises next year?

[–] flux@lemmy.world 1 points 3 weeks ago* (last edited 3 weeks ago)

The first one was OK. I had fun with the animation style and music, voice acting, etc. but I don't really understand the exercise here? People should just read the comic it would barely take as long and there is so much more information and context. Still so much better than the DC live action movies.

[–] flux@lemmy.world 1 points 3 weeks ago* (last edited 3 weeks ago)

Is Denis Villeneuve not known? He is the most respected sc-fi director since 2016. Right? Maybe I'm in my own bubble here.

[–] flux@lemmy.world 4 points 3 weeks ago (1 children)

Vanilla ice in Cool as Ice...Am I suppose to like this guy? He seems like a complete jerk. Sly Stallone in Cobra is hilariously over the top trying to be cool. Joe Piscopo in Dead Heat. Diceman in The adventures of Ford fairlane. Love some Chuck Norris/ Steven Segal movies but they often make the characters less cool. Hallie Berry in a lot of movies: X-men as Storm (who is a f.ing goddess and awesome character!) Catwoman, John wick 3, die another day, etc. George Clooney in From Dusk till dawn. Cage in Drive Angry. Too many Video game / comic book movies to mention.

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