Logline
A shuttle accident leads to Spock’s Vulcan DNA being removed by aliens, making him fully human and completely unprepared to face T’Pring’s family during an important ceremonial dinner.
Written by Kathryn Lyn & Henry Alonso Myers
Directed by Jordan Canning
I think the problem with that is a TV show has a limited amount of time to set up a problem and then solve it. The truly great writers can get around this by spreading information out over multiple episodes through a season, and it gives them more time to deal with incorrect information, allowing the characters to recognize that some information is actually false and then adjust course. In fact it can make for a great plot twist to build on bad information through a season and then reveal everything we’ve been told is in fact wrong!
However when your plot is limited to a single hour, you simply don’t have the time to find out something is wrong, the characters just have to charge forward with what they know, assume everything is factual, and execute a plan to fix the problem. And in many episodes the build-up barely leaves any time for getting things resolved.
It would be nice to see more huge multi-episode plot arcs though. I’ve seen it happen in some seasons of Doctor Who and it’s just incredible when they pull it off smoothly because you get little hints along the way about something but no real context about what it means until it all gets put together at the end of the season. Would love to see more of that in Star Trek. I think Discovery used that in the first couple seasons but then lost it, and nothing else really stands out for me in previous shows.
I am not sure I agree with your series Vs episodic approach truly great writers can tell a story in a an hour or a short story. I mean House MD became formulaic but it’s first few series the fotmula of two misses and hit (you could check the angle of the minute hand to see where you were) did work and made highly popular single hour whodunnit.
I guess I just feel like there’s something to be said when you have what seems to be a minor side story taking place through multiple episodes, where you get a little info here and there that doesn’t seem to be related, but then it all gets pulled together. And sure, there are some fantastic stories that take place in a single episode. Still one of my favorite episodes is ST:TNG “Cause and Effect”, and I remember being so pissed at the TV station at the time for totally screwing up the airing of the new show until I figured out what was going on.
I just feel like ST in general adheres too much to the doctrine each episode being completely self-contained. Sure there are some broad-stroke changes that occur, but there’s also an awful lot where you can watch episodes in any random order and not miss a thing. Or maybe I’ve just missed a lot over all these years and simply not realized it.
We do have even so numerous examples of self-serving perspectives and irreconcilable reports across the episodic shows.
Take Lwaxana Troi’s belief that Picard is attracted to her, which Picard denies vehemently. Lwaxana is a formidable telepath. We are given to believe that her perception is some kind of middle age woman’s foible, and Picard is to be believed because he’s the hero. Do we ever see the factual truth confirmed? No.
So, I am more than willing to let main characters be wrong in their recollections or perceptions even if it’s not absolutely confirmed in the shows.
ENT actually did this, which is odd to think how pioneering that series was at the time.
But there were several plot lines that built up over the series and some which didn’t even have pay off until the last season just before the series was canned.
It’s been a long time since I watched that series, it wouldn’t surprise me if I’ve forgotten a lot.