AccidentalLemming@lemmy.world to Technology@lemmy.worldEnglish · edit-21 year agodsfsdfdsfsdfasdwww.bloomberg.comexternal-linkmessage-square286fedilinkarrow-up1944arrow-down144cross-posted to: hackernews@lemmy.smeargle.fans
arrow-up1900arrow-down1external-linkdsfsdfdsfsdfasdwww.bloomberg.comAccidentalLemming@lemmy.world to Technology@lemmy.worldEnglish · edit-21 year agomessage-square286fedilinkcross-posted to: hackernews@lemmy.smeargle.fans
minus-squaremerde alors@sh.itjust.workslinkfedilinkEnglisharrow-up2arrow-down5·2 years agoare you old? with time it gets naturally impossible to hear those differences
minus-squarederanger@lemmy.worldlinkfedilinkEnglisharrow-up6·edit-22 years agoBit depth affects noise floor, not frequency range. You are correct that the noise floor of 16 bit is well within the limits of human hearing, making 24 bit redundant outside of production. Spotify maxes out at 256k, so you’re just wrong there. https://support.spotify.com/us/article/audio-quality/
are you old?
with time it gets naturally impossible to hear those differences
deleted by creator
Bit depth affects noise floor, not frequency range.
You are correct that the noise floor of 16 bit is well within the limits of human hearing, making 24 bit redundant outside of production.
Spotify maxes out at 256k, so you’re just wrong there.
https://support.spotify.com/us/article/audio-quality/