• SatanicNotMessianic@lemmy.ml
        link
        fedilink
        arrow-up
        65
        ·
        9 months ago

        Ironically, Robocop would have defended him from the terminators.

        I really do miss the 80s/90s era anti-capitalist dystopian future movies. We have the Purge series now, which has been pretty good (at least 3 and 4), but nothing approaching the massive numbers of productions ranging from They Live to Rollerboys to Robocop to Running Man and so many others.

        It feels like we’ve hit a tipping point where subconsciously at least we’ve figured out we’re actually the bad guys from Red Dawn and the Wolverines are the people we’re killing, and just decided to lean into it. I’m waiting for Handmaid’s Tale to get a Birth of a Nation makeover in the next ten years.

        • jaybone@lemmy.world
          link
          fedilink
          arrow-up
          16
          ·
          edit-2
          9 months ago

          The 80s/90s anti corporate dystopia was oddly (or maybe not so oddly) a prediction of the outcome of the other 80s/90s movies and media which were very much pro corporate propaganda. The young white male up-and-coming corporate exec, making money, driving fancy cars, was definitely an image they were selling hard in the 80s. Which seemed to align with Reagan’s view of the world.

          • SatanicNotMessianic@lemmy.ml
            link
            fedilink
            arrow-up
            11
            ·
            9 months ago

            You’re absolutely right. In my memory, though, the ones that stick out the most are the ones where the hero is pro-corporate but in an anti-corporate way. I’m thinking about movies like Working Girl, 9 to 5, and Secret of My Success, and even Other People’s Money. The villains were the very straight and square boss types and the heroes were the young(er) upstarts who could out-business them. OPM was a little different but I think it fits the theme.

            The main difference I’m seeing is that even in the pro-capitalism shows, it was still all about sticking it to the man. If the good guys were cops, the man was the chief of police. If the good guys were businessmen, the man was their boss. If the good guys were soldiers, the man was their CO, or the generals or politicians back in Washington.

            Maybe it’s purely subjective on my part, but it seems like there’s a lot more pro-authority movies being made now. You can’t take a movie like Top Gun (which still had the shaggy haired rebel as well as one of the most homoerotic themes in mainstream cinema at the time) with something like Bill Murray in Stripes. Stripes is great comedy that I’d place almost at the level of Caddyshack, but even though both movies could have been shown by recruiters to get people to enlist, Stripes was still a goofball comedy of the slobs against the snobs (with the snobs in this case being their leadership).

            I’d really like to get back into that kind of default cultural image. Cops were mostly corrupt (Serpico) or idiots (Cannonball Run), or else inept (Escape from New York, or all of those stupid Charles Bronson movies).

            It just feels like we hit that point where the default is to love Big Brother.

            • UNWILLING_PARTICIPANT@sh.itjust.works
              link
              fedilink
              arrow-up
              7
              ·
              edit-2
              9 months ago

              That sounds very much like the valourisation of what would eventually morph into “disruptive innovation.”

              Older money loves feeling like it’s hip and cool for investing in the promising young upstart. They get to rage against the machine while driving it

        • darkpanda@lemmy.ca
          link
          fedilink
          arrow-up
          10
          ·
          9 months ago

          This was the subject of a limited run comics series by Dark Horse called Robocop vs The Terminator that was pretty rad. It was written by Frank Miller or Sin City and The Dark Knight Rises fame who also wrote the script for Robocop 2. It kind of led to a video game as well. No idea what that was like but the comics were pretty decent as I recall.

    • Excrubulent@slrpnk.net
      link
      fedilink
      English
      arrow-up
      44
      arrow-down
      1
      ·
      9 months ago

      It’s also a tactically sound decision for the T1000 to impersonate a cop, because they have powers that are made to be abused. It’s a perfect reflection of the fact that the job attracts abusive personalities.

    • NigelFrobisher@aussie.zone
      link
      fedilink
      arrow-up
      16
      ·
      9 months ago

      Also, this was only two years before the Rodney King beating and subsequent LA Riots, with 911 Is A Joke and Ice T on the radio. LAPD as villains was in the air.

  • Thirsty Hyena@lemmy.world
    link
    fedilink
    English
    arrow-up
    48
    arrow-down
    1
    ·
    9 months ago

    The one thing I hate about the T2 movie is that that boy never shows up again, we don’t have an explanation on what happened to him next.

  • TropicalDingdong@lemmy.world
    link
    fedilink
    arrow-up
    26
    ·
    9 months ago

    Based on current developments in both catchpa and llm technology, do we think that the T1000 would be able to detect a kid lying?

    I’m on the fence, mostly because it now takes me 15 attempts to pass a catchpa.

  • mihnt@lemmy.world
    link
    fedilink
    English
    arrow-up
    18
    ·
    9 months ago

    You just sent me down a rabbit hole because my brain thought this kid and the guy who played Danny in the ninja turtles movie was the same actor.

    • ZeroCool@slrpnk.netOP
      link
      fedilink
      arrow-up
      22
      ·
      edit-2
      9 months ago

      Ah I know the character you’re referring to but no, it’s not him… This actor’s name is Danny Cooksey. If he looks familiar you might be recognizing him from an old Nickelodeon show called ‘Salute Your Shorts’ which was airing when T2 released. He played Bobby Budnick.