Ask Lemmy
A Fediverse community for open-ended, thought provoking questions
Please don't post about US Politics.
Rules: (interactive)
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either !asklemmyafterdark@lemmy.world or !asklemmynsfw@lemmynsfw.com.
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email info@lemmy.world. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Partnered Communities:
Logo design credit goes to: tubbadu
view the rest of the comments
Bladerunner and the sequel
I just rewatched both Bladerunner movies with my son and, the first movie, while aesthetically it still looks beautiful and has some great individual scenes, the action and the dialogue get kind of non-sensical at times, it’s become the weaker of the two movies for me. 2049 feels just a lot more coherent and looks brilliant, it’s just an overall better movie that surpasses the original.
Blade Runner was very much a product of its time (though Syd Mead's visuals were outstanding).
There was something floating in the late seventies / early eighties zeitgeist that would become the cyberpunk genre, and it sort of condensed in several spots simultaneously.
William Gibson had just published Burning Chrome, and was finishing writing Neuromancer (which would be published in '84 and be considered a foundation of the genre).
Ridley Scott and Syd Mead independently adapted a (very different from the film) book by Philip K. Dick into a film that looked and felt like it was set in Gibson's Sprawl.
In Japan, Kasuhiro Otomo had just begun publishing Akira.
Frank Miller was probably in the process of writing and conceptualising Rōnin, which DC would start publishing in '83.
Bruce Bethke had come up with the term cyberpunk in 1980, but that short story wouldn't be published until '83.
Over the next few years many other authors would create other works clearly set in the same genre, though at this point they probably had some influence from Gibson and Blade Runner and each other.
Mike Pondsmith was drinking it all up and coming up with a role playing game with that title, to be published in '88.
And, all over the eighties and nineties, the genre exploded, and was everywhere.