The gatekeeping I was referring to is giving people shit for being weebs, furries, etc. etc. Feels skeezy and moralistic. One of my favourite things about the Linux community is how openly eccentric so many people are. Even if it isn’t my aesthetic it’s way less contrived than the bland wastelands that corporate culture generates.
It wasn’t really relevant to your question, but you do you, weeb OP.
Idk, I feel like gatekeeping is a bigger problem than anime thumbnails.
Hell yeah, raptor is great.
This is one of my favourite things about tracker music. It’s obviously a lot more complicated to share the full source files for music that uses a workflow involving paid tools or that is complex to replicate. The de facto openness of the tracker format is something that is unlikely to be seen again, but rendering stems / sharing patches / encouraging sampling are all still valuable.
I’d love to see a healthy foss music scene that encorages building on one another’s work and would definitely participate. Music is way more interesting when we don’t have to fight economic territorialism to make it, as complicated a path as that has become.
I don’t think there’s a clear best here. If you find using wine easier than learning new music software, then sticking with what you know is best. If you’re flexible about your process, there are a lot of amazing free tools and you’ll probably have a more seamless time developing a workflow around them.
Personally I think learning different software is a great way to build a more flexible understanding of the fundamentals of music production, but everyone has different needs so I don’t think there’s a one size fits all approach.
Ardour recently go a lot of Ableton style features in version 7. Zrhythm looks pretty solid. Reaper isn’t foss, but is run by a small & trustworthy team and is my main DAW, though I’m exploring less daw heavy workflows recently. VCV Rack is an incredible piece of software that has thousands of modules and is like having an entire warehouse full of modular synth gear but digitally. Cardinal is a fully self contained version of VCV Rack that works as a plugin and has ~1000 open source modules built in. Bitwig isn’t foss, but borrows heavily from the Ableton paradigm, has their own twist, and has always natively supported linux. Tracktion Waveform isn’t foss but looks pretty cool, depending on what suits your workflow.
That is certainly one use of the word gatekeeping. Another common use of the word is:
“when someone takes it upon themselves to decide who does or does not have access or rights to a community or identity”.