Set to chill instrumental music. Paris, Jerusalem, Istanbul, Geneva, Kyoto, London, Giza, New York, Germany, Madrid, Barcelona, Venice, Dublin, Moscow, Lyon, Marseille, etc.
Set to chill instrumental music. Paris, Jerusalem, Istanbul, Geneva, Kyoto, London, Giza, New York, Germany, Madrid, Barcelona, Venice, Dublin, Moscow, Lyon, Marseille, etc.
Yeah. I think that’s fair. Although I’m interested to know why they chose 60fps rather than 24. It seems like a flex as opposed to a genuine desire to show fluid movement.
I suspect that, in a very pure way, the study of the colourisation could be an interesting academic pursuit that would reveal more about what we are looking at. Though that would require a ton of work and would still require a fair amount of presumption to be “complete”.
But there’s the rub. “Modern audiences”. Rather than pander to an expectation that things have to look a particular way now surely we should encourage people to see how it was recorded then?
The very fact there is film documentation of a scene in 1896 is interesting in its own right, and for want of a better phrase, it is what it is. This is what footage from over a hundred years ago looks like. I guess I’m not that comfortable with a revisionist history of media.