Opinion: ‘Barbie’ breaks box-office records while crushing right-wing outrage | CNN
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Voices on the right have been urging a boycott of the “Barbie” film, but they just learned they are no match for the Mattel doll, writes Dean Obeidallah. The movie is breaking box-office records.

Barbie has been a summer juggernaut as a cinematic feature despite outrage from the right in the United States. Dean Obeidallah argues that conservative boycotts and backlash only have traction in specific niches where their adherents are the majority of the market.

One wonders if Paramount will take note as they strategically rebrand their streaming offerings. Unfortunately, it seems they’ve been headed in the other direction.

While Discovery led the way in representation across many diverse groups, some of us have been concerned that Picard season three pulled back to more traditional gender roles and an emphasis on white cis-male heroes. SNW has a large female main cast, but the OG female command officer Number One doesn’t seem to be getting much opportunity to show heroic leadership.

Thought this conversation might be less fraught over here at Quark’s.

  • Corgana@startrek.websiteEnglish
    14·
    1 year ago

    Interesting point. I do find it curious how Disco in particular caused such a massive brouhaha (even among existing fans) for being overtly sanctimonious when it was SO much quieter about it’s politics compared to the other series. On TOS Kirk would essentially look directly into the camera and demand race-integrated schools. TNG’s preachiness reached after school special levels of eye-rolling half the time. But Disco shows two gay men brushing their teeth and that’s what upsets you?

    Another example: I don’t think it was possible for Adira’s five-second coming out scene to be any more concise or unremarkable than it was and yet “shoved down our throats” was a common refrain. What exactly was shoved? I don’t expect reactionary media to be logical, but I also don’t know how anyone who actually watched the show could call it more performatively political than the previous series.